







Metal Fucking Rats With Heart Shaped Tail, 2007
Not all of Noble and Webster's work uses low grade materials drawn from the rubbish dump or the scrap yard – like this welded scrap metal piece of rat love. No, some of it borrows from the aesthetics of the shopping mall or the Las Vegas light show, with flashing displays and gaudy neon inspired by some of the most crass that culture has to offer. As far as the artists are concerned, it's all worth recycling.
Dirty White Trash (With Gulls), 1998
The photo above shows White Trash (With Gulls), one of Webster and Noble's earliest trash-based pieces. Six months' worth of household waste plus a pair of dead seagulls comprise the heap of refuse. It's no accident that it took the couple a further six months to make the piece, during which time they were eating and consuming – as you do. On the wall, the shadow figure self-portraits of the artists take a break with a cigarette and a glass of wine
Real Life is Rubbish, 2002
British-born and -based artists Tim Noble and Sue Webster skilfully skirt the boundaries between beauty and the shadowier aspects of humanity, playing with our perceptions as well as our notions of taste. Many of their most notable pieces are made from piles of rubbish, with light projected against them to create a shadow image entirely different to that seen when looking directly at the deliberately disguised pile.
The traditional setup of school classrooms—straight rows of desks with accompanying chairs—doesn't do much to foster creativity or collaboration. Many experts have proposed redesigning classroom furniture, but a Swedish school system wants to take things a step further. Vittra, which operates 30 schools in Sweden, is seeking to ensure learning takes place everywhere on campus by eliminating classrooms altogether.
The newest Vittra school, Telefonplan, opened its doors last August. Designed by architecture firm Rosan Bosch, the Stockholm-area campus seems more like a creative space you'd find at Google or Pixar than a school at all. Students can work independently on their laptops while lounging on one of the "sitting islands" in the photo above. If they need to collaborate with their peers on a project, they can take advantage of spaces like "the village"—a tiny house for group work—or the more open "organic conversation furniture" pictured below
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